Quality audio preparation
Every session starts with meticulous prep — gain staging, editing, comping, and tuning — so the mix has clean, honest material to work with. Precision before the fader ever moves.
About
About Solidus79 Productions
Brian Jinks is the audio engineer behind Solidus79 Productions — mixing, mastering, recording, and vocal production for artists across the Charlotte–Statesville metro and, remotely, worldwide.
As an engineer and producer, every mix is built meticulously in Ableton Live and Pro Tools, backed by access to official outboard and hardware — not just plugin emulations. That combination is what turns a session into a record that holds up next to anything else on the platform.
Sessions run just as precisely in-studio or fully remote, with a fast turnaround on every mix and master. Beyond the standard master, records come back in the alternate versions an artist actually needs — DJ mixes, radio mixes, and performance mixes built for the room they’re going to hit.
There’s also a layer of insight that goes beyond the technical — knowledge earned over years behind the console that shapes not just how a record sounds, but how it moves an artist’s career forward.
That range shows up in the credits — mixing for artists including Young Dro, Keith Murray, DaBaby, Young Scooter, Young Dolph, Key Glock, Kehlani, and Miri Ben-Ari, alongside audio work for the Greensboro Symphony Orchestra and NCAA Tournaments.
Work With Solidus79why solidus79 Productions
The most analytical & creative audio engineering process of the future
Precision first, feel always. The credentials are technical; the results are musical.
Ableton Live production
Beats, arrangements, and sound design built natively in Ableton Live — from first idea to a session-ready session, produced by the same engineer who mixes it.
Live event performance preparation
Backing tracks, stems, and show files built for the stage, so a performance is rehearsed, reliable, and ready before soundcheck.
Control systems & lighting design
Lighting design spans grandMA3 for large-format shows and Beam 2 with Ableton for smaller productions, plus a range of other software shaped by my own programming knowledge. That systems thinking carries over into how a mix gets built.
Your record deserves the golden standard.
Send the rough. Book the session. Hear what it was always supposed to sound like.
Book A Service